This video includes 4 short performances that feature Ravenscroft 275 VI by VI Labs and Korg Mobile Sound Module. The signature Ravenscroft tone has the warmth and purity of the fine European pianos, the harmonic complexity of the older great American pianos and the clarity and articulation of the great Asian pianos. For those who are sick and tired of Ivory 2 piano’s sound, go grab one of VI Labs pianos. Ravenscroft 275 works with a single on/off pedal for basic sustain, or you can use all three pedals including piano-style continuous damper pedals for smooth Half-pedal control plus Sostenuto and Una Corda functions. Side mics are also fully mono-capable due to the nature of mid-side. The Ravenscroft 275 is an amazingly versatile 9' concert grand piano, and it's now available as a virtual instrument from VI Labs. VI Labs bills the Ravenscroft 275 as “the worlds finest piano”. Published on Erik Griggs plays a variety of styles on the Ravenscroft 275 virtual piano by VI Labs at the Ravenscroft Pianos booth, … This particular piano was modeled off serial number 004 in the line. SIDE: A mid-side vintage U87 setup right outside the rim that capture a balance of warmth and detail with a more focused image. The sound was beautiful, but I felt that I was missing some detail and perhaps keyboard sensitivity. If you're using this effect specifically and want more of it, simply increase the polyphony value. Ravenscroft pianos are different from the beginning. Ravenscroft Pianos are designed and built by Michael Spreeman at his company in Scottsdale, Arizona. This is truly the discerning player’s piano. Repedal action is smooth and True Pedal Action creates highly realistic damper pedal resonance which works well with Half-Pedal. Ravenscroft 275 is one of these rare instruments. Setting Width to 1% is summed mono while 0% is R-only, FLIP button for L-only, and get perfect phase free mono on any microphone. World-class mics and preamps were used throughout. There's one thing that is kind of annoying about Ravenscroft. Located in the U.S., VI Labs launched in 2013 with the True Keys Pianos collection followed by the Ravenscroft 275 which is used by thousands of musicians and professionals worldwide. It adopted UVI workstation as the sampler and you need an iLok account to activate and run it. The original instrument was recorded in high-resolution audio using premium microphones and pristine converters. The FLIP button swaps L-R and determines mono source. All while keeping your resource usage minimal and offering fast load times. For custom control, you can adjust the MIDI velocity response and volume curve independently. Visit to learn more about Sam and his many works. An amazingly lush Una Corda soft pedal sound, deeply sampled including over a thousand discrete Una Corda release samples. In a real piano, the resonance occurs if the pedal is down when a chord is played but also if a chord is played followed by the pedal going down. Other than that, it's a pretty decent iOS Piano. Its more like I literally have never heard it sound warm and close, despite looking and looking.The Ravenscroft 275 NKS Library for Komplete Kontrol / Maschine contains presets in NKS compatible format to allow browsing and control over the instrument from Komplete / Maschine software and hardware. If I could hear one demo of Ravenscroft sounding as warm and close as Noire does in your example, I guess none of this would be an issue for me whatsoever.Įdit: I hope this doesn't come off as suggesting you should hunt down a demo of RC. How does Noire stack up as far as playability goes? That is my biggest fear in pulling the trigger on it. I haven't played anything that feels like it at all yet, which honestly makes it very difficult to like some of the other offerings I have. I have ModernU, which I imagine is quite similar. I can understand your love for the playability of Ravenscroft. I've been very back and forth about whether I should get Noire since it was released, but I really like what I hear you do with it. When you were playing the Noire Extra Body snapshot, I felt the most connected with the music and you, the performer. I have to echo one of the comments I read on the video.
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